A collection of 28 Ernesto Nazareth compositions expertly transcribed for classic guitar solo. One of the major difficulties in trying to arrange Ernesto Nazareth?s themes for any instrument but the piano is to separatethe melodic line from its accompaniment: both are so closely together (that is one of the strongest characteristics of his pianistic style of composition) that it becomes almost impossible to treat one of the features disregardingthe other. If one did that the result would be only a pale and incomplete portrait of what was intended by the composer. That thought has guided us in the making of this book. In spite of the huge obstacles that resulted from thetransposition of a piece originally written for the piano a very rich instrument regarding the expressive recourses to the more 'modest' guitar we always kept in mind our principal intention: to preserve at the most all themelodic dialogues of the scores in special the ones between the melody and the bass line both the elements that form the soul of Nazareth?s compositions. We obviously had to do some changes. Thus for instance in somearrangements it was necessary to transpose the original key to a more appropriate one (at the guitar view-point of course). Some phrases or fragments had also to be written an octave higher or lower (that can be perfectlyunderstandable if we consider the very wide melodic range of the piano and the extensive way with which Nazareth uses it). Needless to say that all those recourses were used only when it has been strictly necessary. Despite thefact that those 28 pieces are only a little portion of Nazareth?s work this group of arrangements represents a good and representative panel. Among them there are some of Nazareth?s greatest hits ('Apanhei-te Cavaquinho' 'Odeon' 'Brejeiro' 'Ameno Resedá' etc.) as well as other not so known compositions but no less beautiful and important. Listening to those pieces one can observe the compositional talent of Nazareth and his incredible

arranged for Classical Guitar Solo. Par GUERRA STEPHEN. Choro is a popular instrumental-music tradition flourishing in Brazil and around the world. It preceded, influenced, and in turn was influenced by samba and bossa nova. Its repertory is vast, including thousands of choros composed by all manner of string, wind, keyboard, and percussion players?in addition to the guitar classics by João Pernambuco and Heitor Villa-Lobos.This landmark publication gives guitarists access to this seemingly endless repertory, empowering its readers to turn a choro written for any instrument into a convincing and idiomatic solo guitar arrangement. This process is taught through examples provided by Dr. Stephen Guerra, a versatile guitarist/composer intimately familiar with both classical and Brazilian guitar (violão brasileiro) as well as the choro idiom.This book is intended for both students of Brazilian guitar and classical guitarists seeking to add choros to their repertory and play them authentically. It includes: ?Original solo arrangements plus lead sheets and online recordings of 10 choros for the intermediate to advanced classic guitarist?Biographical and performance notes regarding the selected composers and compositions.?Insightful suggestions for further reading, listening, and study. ?Extensive endnotes explaining arrangement choices, notation practice and influences. Dr. Guerra focuses on classics from the pioneering generation of choro composers culminating in the artistry of João Pernambuco, Pixinguinha, and Heitor Villa-Lobos; among others, these include compositions by choro pianists Chiquinha Gonzaga and Ernesto Nazareth, samba singer-composer Noel Rosa, choro bandleaders Joaquim Calado and Anacleto de Medeiros, and Brazil?s early flute virtuoso, Patápio Silva.Includes access to online audio. / Date parution : 2022-04-26/ Recueil / Guitare Classique

Kindle, Jürg. Par NAZARETH ERNESTO. / Niveau : Intermédiaire / Répertoire / 2 Guitares

Par LAURINDO ALMEIDA. This collection presents guitar duets by Laurindo Almeida and musical friends plus related photographs of historical interest. Features Radames Gnattali, 'Pixinguinho' (Alfredo da Rocha Viana Filho - 'Father of the Samba'), Heitor Villa-Lobos, Charlie Byrd, Ernesto Nazareth, and 'Garoto' (Anibal Augusto Sardinha). In addition to music from Brazil this collection addresses a variety of Latin American styles with arrangements of melodies from Venezuela, Cuba and Mexico. A piece by the American film composer, Stanley Wilson is introduced here for the first time. The collection ends with captivating duet arrangements of the haunting Intermezzo Melancólico by Manuel Maria Ponce and Tango Español by Isaac Albéniz. / Niveau : Intermédiaire à Avancé / Classic - Duets / Recueil / Guitare Classique

La série ' classiques le Choro brésilien - vous êtes le soliste!' vous permet de découvrir le style Choro grâce à l'expérience incomparable d'effectuer les compositions vous-même, accompagné d'un Ensemble de Choro. Chaque volume de la série comporte un compositeur célèbre de ce style de musique incroyable, y compris ses compositions principales dans un CD audio numérique maîtrisé et un livre de musique imprimée de qualité avec les correspondants scores C, Bb et Eb, ainsi que des entrevues, Biographie et pertinence de l'auteur de l'histoire du Choro. À l'aide du CD, écouter les pistes stéréo complètes (avec les solistes) pour votre référence. Régler votre instrument (flûte, saxophone, clarinette ou mandoline) en utilisant les notes de réglage. Maintenant avoir du plaisir étant le soliste, en utilisant les pistes d'accompagnement mettant en vedette un important Ensemble de Choro du Brésil. Maintenant vous pouvez jouer avec votre propre ' Ensemble de Choro, ' qui toujours seront là pour vous, que ce soit à la maison, sur la route ou à la plage. Ont le plaisir et la bonne formation ! Bilingue : Portugu... / Guitare Classique